霍华德·苏伯（Howard Suber），UCLA（洛杉矶加大）资深电影教授，执教四十余年，曾荣获杰出教师奖，学生遍及整个美国电影业界。他曾担任UCLA电影学院副院长，组织创办了UCLA电影资料馆并担任馆长，发起电影评论研究计划，同时还是UCLA影视制片人项目创始人。此外，霍华德在业内受聘担任各大电影公司的顾问和专业见证人，长期参与一线决策，在版权、创作控制事务等方面进行把关，为员工进行电影业务知识培训，是无数作品背后的重要推手。如今，他继续在教授影片结构和电影创作的战略性思考方面的课程，著有《电影的力量》（The Power of Film）一书。 译者赵晶，先后获得外交学院英语系学士学位和中国电影艺术中心电影学系硕士学位。现任职于中国电影资料馆，主要从事国际电影文化交流和推广工作，另译有《简明世界电影史》。

Pioneer avant-garde filmmaker, poet and artist Jonas Mekas (born 1922) was the barometer of the New York art scene in the 1960s and ‘70s. His interviews with Andy Warhol, Stan Brakhage, Susan Sontag, John Cassavetes, Carolee Schneemann, Yvonne Rainer, Claes Oldenburg, Kenneth Anger and Michael Snow, among many other avant-garde artists and filmmakers for his weekly column in th...(展开全部)

Women Filmmakers in Sinophone World Cinema portrays a group of important contemporary women filmmakers working across the Sinophone world including Taiwan, Hong Kong, the mainland, and beyond. The book delineates and conceptualizes their cinematic and trans-media practices within an evolving, multifaceted feminist intimate-public commons. The films by these experienced and emer...(展开全部)

Women Filmmakers in Sinophone World Cinema portrays a group of important contemporary women filmmakers working across the Sinophone world including Taiwan, Hong Kong, the mainland, and beyond. The book delineates and conceptualizes their cinematic and trans-media practices within an evolving, multifaceted feminist intimate-public commons. The films by these experienced and emer...(展开全部)

Taiwanese born, Ang Lee (b. 1954) has produced diverse films in his award-winning body of work. Sometimes working in the West, sometimes in the East, he creates films that defy easy categorization and continue to amaze audiences worldwide. Lee has won an Academy Award two times for Best Director―the first Asian to win―for films as different as a small drama about gay cowboys in...(展开全部)

Taiwanese born, Ang Lee (b. 1954) has produced diverse films in his award-winning body of work. Sometimes working in the West, sometimes in the East, he creates films that defy easy categorization and continue to amaze audiences worldwide. Lee has won an Academy Award two times for Best Director―the first Asian to win―for films as different as a small drama about gay cowboys in...(展开全部)

已废。 重开新书，主角会在下本书作为主要人物登场。 可以当做黑历史一瞧（笑）

已废。 重开新书，主角会在下本书作为主要人物登场。 可以当做黑历史一瞧（笑）

白睿文（Berry,M.），1974年生于美国芝加哥，哥伦比亚大学现代中国文学与电影博士，也是留美汉学家王德威的学生，现任职于加州大学圣芭芭拉分校东亚系副教授，主要研究领域为当代华语文学、电影、流行文化和翻译学。著作除本书外，还有《痛史：现代中国文学界与电影的历史创伤》（即将出版）。中英译作有王安忆《长恨歌》、余华《活着》、叶兆言《一九三七年的爱情》、张大春《我妹妹》与《野孩子》，正在翻译舞鹤的《余生》。

"I always compare filmmaking to cooking. Shooting is like buying the groceries. You buy all kinds of ingredients and the better ingredients you get, the better chance you have of making the movie you want."--Ang Lee, from Speaking in Images Speaking in Images offers an engaging and rare collection of interviews with the directors who have changed the face of Chinese and intern...(展开全部)